But Arthur Waite’s decision to use descriptive pictures throughout the minor arcana made it easy for even first time users to do a reading. And to begin to understand the philosophy buried within the cards.
The RWS deck, accompanied by Waite’s Pictorial Key to the Tarot, opened Tarot up to everyone, not just those who were members of secret magical societies.
I think Waite was interested in much more than just ‘peering into the future’ as this piece seems to suggest, but it’s interesting nonetheless.
Through their deck, Arthur Waite and artist Pamela Colman Smith made an enormous contribution to Tarot. They really changed everything.
Here’s a holiday gift for every Tarot lover’s list!
Susan and the Mermaid is the rediscovered tale of a magic ring, an underwater kingdom, and a wise old woman who knew how to make her granddaughter’s dreams come true. And if that’s not enough to entice you …. it was written and illustrated by Pamela Colman Smith!
Of course Tarot readers around the world know Smith as the illustrator of the Rider-Waite-Smith Tarot, perhaps the most widely used deck in the world. But did you know she was a writer? In fact, by the time she was twenty, Smith had already published three critically acclaimed books.
Susan and the Mermaid was first published in 1912, three years after the Rider-Waite-Smith deck. It appeared in the Christmas edition of The Delineator, a woman’s magazine meant for mothers and their children.
This new edition reproduces the original text and images. It also provides a close-up look at dozens of full-colour illustrations Smith created to accompany the story. It looks great.